by Revd Canon Timothy Goode, Canon for Congregational Discipleship and Nurture at York Minster and member of the National Disability Task Group

It is no small thing to speak in Canterbury Cathedral.
To stand in such a space, as I did recently, where liturgy has echoed for centuries, where saints have walked and kings have knelt, where martyrdom was once not metaphor but blood on stone – it humbles you. The architecture seems to breathe with history.
But I did not come to offer a history lesson or critique the Gothic arches. I came with something far more personal. I came as a disabled priest to speak to cathedral architects and to all those who advise cathedral chapters on matters related to the care, conservation, and development of our cathedrals. And I came to ask: Whose body is the Church really built for?
Because for more than thirty years, I have been making my way through churches that were never designed with someone like me in mind. I have been pointed to side doors. I have been told the sanctuary was not accessible. I have preached from the nave floor while pulpits loomed like fortresses behind me. And I have listened to sermon after sermon about “healing”, often from people who have never actually asked what it is like to live in a body that will not, and should not, be cured.
These are not just awkward moments or minor design flaws. They are symptoms of something much deeper. What we are dealing with is a theological vision of the human body that has been built into the DNA of the Church, a vision that equates holiness with symmetry, sanctity with strength, and wholeness with conformity to an able-bodied norm
And this vision did not come from Christ. It came from Rome.
To really understand this, we have to travel back to the fourth century. Before Constantine, the Christian movement was marginal, persecuted, made up of people who lived in their bodies very differently. The paralysed, the blind, the bleeding woman in the crowd – these were not just characters in miracle stories. They were the Church. They were apostles, disciples, leaders.
Paul’s famous words in 1 Corinthians 12 were not poetic flourish: “The parts of the body that seem to be weaker are indispensable.” That was not metaphor. It was the living theology of the early Church; a Body made up of many, including those society wanted to cast aside.
But once Christianity gained imperial approval through Constantine’s Edict of Milan in 313 CE, something fundamental changed. With power came prestige. With prestige came compromise.
The Church began absorbing Greco-Roman ideals about what bodies should be. Classical culture idolised symmetry, athleticism, control. The perfect body was strong, upright, unmoved by pain. And this ideal soon seeped into Christian theology.
By the time we got to Augustine, even resurrection got redefined in these terms. In The City of God, he imagined glorified bodies as unmarred, restored to their ideal state: male, able-bodied, thirty years old. And that image was projected onto Christ. No blindness, no paralysis, no visible deviation. Jesus Christ, the template of the idealised norm.
It was a compelling vision, if you fitted the anthropomorphic mould. But what happened when you did not?
This theology did not stay in books. It seeped into the very stones of our churches. Cathedral architecture is not neutral. It never has been. It preaches. It catechises. It teaches us, without saying a word, what kind of bodies are expected, and what kind are not.
Take the basilica model adopted from Roman civic halls: the nave, transept, chancel; spaces laid out not for inclusion, but for hierarchy. The sanctuary is elevated. The priest processes up stairs. The pulpit rises above the people. It is majestic, yes, but it is also profoundly exclusionary.
Because every architectural decision makes a theological one. Stairs do not just raise the altar, they declare who is allowed to approach. Pews do not just organise a congregation, they assume bodies that sit still, rise easily, kneel without pain. Even the very materials of worship – hard stone, cold marble, polished brass – make a statement about which bodies are comfortable here, and which are not.
So when I say these spaces were not built with me in mind, I do not just mean there is no ramp. I mean the entire architectural logic assumes I do not belong at the centre.
Even churches that claim to be “inclusive” often betray this same DNA. The ramp is added later. The accessible toilet is behind a locked door or is used also as a storage space. The hearing loop was installed, yes, but no one knows how to turn it on. And the excuses? “It would ruin the symmetry.” “It would not match the historic stone.” “It might interrupt the line of sight.” What we are really saying is this: the building’s aesthetic matters more than the bodies inside it. And that is not just poor design. That is architectural idolatry. It is a heresy. It places form above flesh, heritage above hospitality, symmetry above sacrament.
What makes this even more painful is the irony at the heart of our faith.
Christianity’s most powerful metaphor is the Body of Christ, and that body was not perfect by classical standards. It was broken. Wounded. Pierced. And when Christ rose from the dead, he did not shed his scars. He showed them.
That is the body our churches should have been built to reflect. But instead they reflect the sculpted ideal of Greco-Roman virtue, the inaccessible grandeur of empire. We have built not sanctuaries, but tombs. Our anthropology is not focused on the risen body of Christ. It remains focused on the able body of Rome.
And yet the risen Jesus appeared in locked rooms, cooked breakfast with wounded hands, and invited Thomas to touch his open and pierced side. The glorified body of Christ was not healed from trauma, it was transformed through it. For the Word became flesh – not the Word became idealised marble; not the Word became stones and mortar – but the Word became flesh: human flesh, wounded flesh, disabled flesh, risen and ascended flesh. And the Word dwelt among us.
So where do we go from here?
We return to the risen Christ, not the polished Christ of stained glass and statuary, arms spread in symmetrical benediction, but the Christ who says: “Touch my wounds. They are still here. They are still holy.”
And we build and adapt our churches accordingly.
- A cathedral or church reordered from the eye level of a wheelchair user
- A pulpit that can be used by a priest who signs the Gospel
- A sanctuary without stairs, not because it is fashionable, but because it is just
- Artwork that honours disabled saints, not after healing, but in the truth of their embodied reality
- A memory wall where chronic illness, neurodivergence, and pain are honoured as sacred testimony
This is not utopian. It is already happening, in small communities, in artistic collectives, in chapels where theology is being shaped from wheelchairs and hospital beds. The Spirit is moving. The question is whether the Church is willing to follow.
I did not bring a building plan to Canterbury Cathedral. I brought a body – my own body – and the bodies of so many others who have been overlooked by the architecture and theology of a Church that said it was for all.
And most of all, I brought the Body of Christ, a body still wounded, still risen, still with us.
This is the Body I believe in. This is the Body I serve. This is the Body we can build.
Let it be risen. Let it be wounded. Let it be real.
